Information and Opinions

Exhibitions and events, as well as our perspective on the market


Gerhard Richter at Museum Barberini, Potsdam

9. July 2018
Carina Krause

“Abstraction is Gerhard Richter’s big theme,” says Ortrud Westheider, director of Museum Barberini in Potsdam, which means this retrospective, which deals exclusively with this part of his oeuvre, is long overdue. The result is one of the most exciting exhibitions currently on view.

The show is divided into nine thematically and loosely chronologically arranged rooms that extend over two floors.
The first room is dedicated to Richter’s early works in shades of grey. The earliest work, Curtain, dates from 1964, and in its Illusionist style it symbolises a transition from figurativeness to abstraction. Large-format Grey paintings from the 1970s, which look like a homogeneous grey surface of colour from a distance, reveal on closer inspection structures and patterns that cast delicate shadows, and thus add a certain amount of depth.

In the adjoining room, Colour Charts of various sizes await the visitor. The intense luminosity of the canvases stands in strong contrast to the grey pictures. The almost brutal sequence of the many-coloured colour fields lends the works an unexpected energy.

On the upper floor hang works from the 1970s to 2017. Rooms 3 to 5 contain large-format Detail paintings, colourful Inpaintings and early Abstract Paintings from the 1980s – among them several small-format works that, despite all abstraction, are reminiscent of landscapes on a mild summer’s evening.

In rooms 7 to 9, squeegee paintings from 1983 bewitch the viewer. Richter scrapes, blurs and paints over the surfaces, creating incredibly complex works, each one an enigma.
Room 8, however, is dominated by the computer-generated work Strip. It is several metres long and based on a section of Abstract Painting (724-4), which is in room 7.

The stand-out piece of the exhibition is probably Seven Panes (House of Cards), a complex glass work that seems to have been created specifically for the room at Museum Barberini. What a work of art! The various panes of glass appear to float in the space. Like windows they open up, yet at the same time reflect Potsdam’s bright blue summer sky. With the smallest movement of the observer, the kaleidoscopic reflections also shift: sky and St. Nicholas’ Church mix with the blurred shapes of other visitors, and the small-format works on the walls of the room, and break apart just as quickly.

By now it is difficult to be really surprised by a Gerhard Richter exhibition, but this one succeeds with astonishing ease. Many of the approximately 90 works are shown to the public for the first time, which is just one more reason not to miss Gerhard Richter: Abstraction.

The exhibition is on view until 21 October 2018 at Museum Barberini, Potsdam.


Georg Baselitz at Fondation Beyeler, Riehen

6. February 2018
Carina Krause The first work encountered by visitors to the Baselitz exhibition at Fondation Beyeler in Riehen is a large-scale Dystopisches Paar (Dystopian Couple, 2015). In an echo of Otto Dix’s Die Eltern des Künstlers (The Parents of the Artist, 1924), Baselitz… View Article
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Frankfurter Allgemeine Forum Art Conference 2017

6. December 2017
Carina Krause, English translation by Emma Sayers Der Kunstmarkt im Superkunstjahr 2017 (The Art Market in the Super Art Year 2017) was the name of the Frankfurter Allgemeine Forum Art Conference, which took place in Berlin a few days ago. Ten years have passed since the last… View Article

Are there too many art fairs?

13. October 2017
Carina Krause in interview with art collector H.P. We talked with art collector H.P. about the constantly growing number of art fairs.   The last few years have seen the launch of many new art fairs. The latest are the satellite fairs of Art Cologne in Berlin and… View Article

Anselm Kiefer in Italy

17. July 2017
Gabi Scardi and Julia Linsen In an exploration of the popularity of Anselm Kiefer in Italy, we asked art critic and curator Gabi Scardi about Kiefer’s relationship with that country.   Anselm Kiefer is an artist ‘pluricelebrato’, in other words, he is one of the… View Article

It’s all about Data!

30. March 2017
Prof. Dr. Alex Buck Yes, this year’s TEFAF is once more “the museum of the world“ or as the German newspaper Handelsblatt put it, “TEFAF art fair, yet again, gathers the best of everything: baroque paintings and modern masters, jewellery, manuscripts, sculpture and design.“… View Article
Women's March Washington, January 2017

Women in the Art World

6. March 2017
Carina Krause Last January millions of women around the world gathered for so-called women’s marches, to rally against the oppression of women and demonstrate for their rights and for equality. Reason enough to take a look at the situation of women in… View Article

Fall Auctions in New York

11. November 2016
Carina Krause An unprecedented number of high-priced artworks by Gerhard Richter will be on offer at the fall auctions in New York. Although Christie’s had to manage without any Richter at all at its Post-War & Contemporary Art evening sale last October… View Article

Sigmar Polke, Palazzo Grassi, Venice

12. October 2016
Julia Linsen (Venice, Italy) Currently running is the Sigmar Polke retrospective at the Pinault Foundation, Palazzo Grassi, in Venice. This year marks the 75th anniversary of Polke’s birth and the 30th anniversary of his participation in the 1986 Venice Biennale, where he… View Article
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Germany’s new Cultural Property Protection Law

22. July 2016
Carina Krause Why Monika Grütters, Commissioner of the Federal Government for Culture and Media, went ahead with a bill that caused as much controversy as the revision of the Kulturgutschutzgesetz (Cultural Property Protection Law) is difficult to say. However, the law was… View Article
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Tefaf Art Market Report 2016

12. April 2016
Carina Krause Economist Dr. Clare McAndrew has presented the Tefaf Art Market Report annually since 2008. Her report is based on a survey of auction houses, art dealers and collectors, as well as information gathered from different art and finance databases. This… View Article

Gerhard Richter – Abstract Painting, 724-4

1. March 2016
Carina Krause Gerhard Richter: A Life in Painting, by Dietmar Elger, is a biography of the artist. The book covers Richter’s career, from his early days in Dresden to his current success. Nowadays Richter’s works achieve top prices at auction; his exhibitions… View Article